Saturday, January 24, 2015

Walter Schnackenberg [feedly]



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Walter Schnackenberg
// MONSTER BRAINS

Walter Schnackenberg - Die Rauschtranke, 1949 Walter Schnackenberg - Escaping over the roof (1955) Walter Schnackenberg - The decapitated girl and the bat (1949) Walter Schnackenberg - In the mountain gorge (1949) Walter Schnackenberg - Good and Evil (1948) Walter Schnackenberg - The stage performers (1958) Walter Schnackenberg - The curious dinosaur (1950) Walter Schnackenberg - "Lichtscheues Gesindel," 1950 Walter Schnackenberg - Surreal figures in a rocky landscape (1957) Walter Schnackenberg - Surreal figures over the pyramids (1957) Walter Schnackenberg - The embrace (1949) Walter Schnackenberg - "Modes," 1951 Walter Schnackenberg - "Unterwelt," 1951 Walter Schnackenberg - The sleepwalker (1956) Walter Schnackenberg - Death on the stage (1957) Walter Schnackenberg - Die Virtuosin, 1949 Walter Schnackenberg - A young girl exploring a river in a gorge (1949) Walter Schnackenberg - "Die Schere," 1950 Walter Schnackenberg - "Place Blanche," 1948 Walter Schnackenberg - "An der Bar," 1956 Walter Schnackenberg - Das Komitee (1958) Walter Schnackenberg - "Das Vergnugen," 1950 Walter Schnackenberg - Ein Karussell träumt (1950) Walter Schnackenberg - A surreal conversation (1948) Walter Schnackenberg - Die Krone der Schöpfung (1948) Walter Schnackenberg - Spinne mit Maulkorb (1958) "Born in Bad Lauterburg in 1880, Walter Schnackenberg found his vocation as a draughtsman and painter while still very young. At 19 he went to Munich, where he at first attended Heinrich Knirr's painting school before going on directly, like so many of his contemporaries, to study at the Franz von Stuck Academy. Drawing is Schnackenberg's strong point. His lively imagination made him particularly good at caricature. He drew for the celebrated magazines 'Jugend' and 'Simplizissimus'. His themes were theatre and the comic muse. Travelling extensively, Schnackenberg often went to Paris, where he was especially interested in the work of Henri de Toulouse-Lautrec. As a print-maker, Schnackenberg devoted himself mainly to poster art and his most mature work is in this genre. He was also well-known as a designer of stage scenery and costumes. With his evident preference for frivolous ladies, he was highly fashionable in his day. Schnackenberg does not have the acutely critical approach of a Grosz or a Hubbuch. Instead, his works resemble those of Jeanne Mammen, who devoted herself to portraying pert Berlin girls. During the late phase of his career, Schnackenberg introduced surreal elements into his work. People with bestial, mask-like faces were intended to symbolize the unsatisfied lusts and addictions of the petty bourgeois. Schnackenberg spent his last years in Rosenheim and died there in 1961." - quote source from a now defunct website devoted to the artist.

All artworks found thanks to Will Schofield at 50 Watts. See all of the original posts on Walter Schnackenberg from 50 Watts here.

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